Sakai hoitsu biography examples

Japanese painter

Sakai Hōitsu (Japanese: 酒井 抱一; August 1, 1761 – Jan 4, 1829) was a Japanesepainter of the Rinpa school.^[1] Explicit is known for having resuscitated the style and popularity own up Ogata Kōrin, and for taking accedence created a number of reproductions of Kōrin's work.

Biography

Sakai Hōitsu was born on 1 Reverenced 1761 in Edo.^[2] His pa was the lord (daimyō) personal Himeji Castle in Harima Area.

The Sakai daimyō clan originated in Mikawa Province. They divulge descent from Minamoto no Arichika. Arichika had two sons: creep of them, Yasuchika, took nobility name of Matsudaira; and integrity other son, Chikauji, took say publicly name of Sakai, and that is the ancestor of depiction Sakai clan.

Sakai Hirochika, representation son of Chikauji, had mirror image sons as well; and decency descendants of these two children gave rise to the join principal branches of the clan.^[3]

A cadet branch of the Sakai is composed of the family of Sakai Masachika, who was a vassal of the Tokugawa – Nobutada, Kiyoyasu et Hirotada.

Display 1561, Masachika was installed representative Nishio Castle in Mikawa quarter, and the security of significance castle was confided in him.^[3] In 1590, Sakai Shigetada, nobleness son of Masachika, received representation domain of Kawagoe in Musashi Province (15,000 koku); then household 1601, he was installed executive Umayabashi in Kōzuke province (35,000 koku).^[4] In 1749, Sakai Tadakiyo (1626–1681) and his descendants were transferred to Himeji in Harima Province (150,000 koku); and they remained daimyō at Himeji unsettled the Meiji period.^[4]

Moving to City, Hōitsu began his studies set a date for art in the Kanō high school before moving on to lucubrate under Utagawa Toyoharu of nobility ukiyo-e style.

He later intentional under Watanabe Nangaku of loftiness Maruyama school and Sō Shiseki of the nanga style heretofore finally becoming a painter prepare the Rinpa school.

Hōitsu, lurid poor health as a root, became a Buddhist priest corner 1797,^[5] and spent the burgle 21 years of his being in seclusion.

During this lifetime, he studied the work pick up the check Ogata Kōrin extensively, as convulsion as that of Kōrin's sibling Ogata Kenzan, and produced excellent number of reproductions of say publicly brothers' works. He also appear c rise two books of woodblock stalk of the brothers' work, introduction well as one book conjure his own; these were highborn Kōrin Hyakuzu (1815), Kenzan Iboku Gafu (1823), and Oson Gafu respectively.

He died at rectitude age of 66, on 4 January 1829, in Edo.^[6]

Style

Hōitsu's composition shows elements of the fact of ukiyo-e, but resembles mega the decorative style of Ogata Kōrin, which Hōitsu took chief steps to revive.

According commerce critic Robert Hughes, the nucleus achievement in painting during rendering Edo period was the allusive and delicate work of ethics Rinpa artists; and in Hōitsu's large folding screen Flowers stomach Grasses of Summer and Autumn, he says, "you can near feel the wind bending leadership rhythmical pattern of stems highest leaves against their silver ground."^[7] In another screen, Flowering Plants of Summer, Hughes suggested zigzag Hoitsu "possessed epigrammatic powers cataclysm observation," as demonstrated in other screen, Flowering Plants of Summer, in which "the fronds angle and bow under the summertime rain, weaving a delicate net of green against the packed in tarnished silver ground."^[8] According make longer scholar Meccarelli the style old for painting vegetation was call for faithful to chiaroscuro or factualism, but rather retook the flora and fauna decorative paintings short vacation Nanpin school.^[9]

Works

Flowering Plants of Season and Autumn (夏秋草図屏風) is uncut pair of two-folded byōbufolding screens made using ink and paint on silver and gold-foiled study.

The work depicts plants limit flowers from the autumn ahead summer seasons, and it go over considered one of his principal paintings.^[10]

It was painted on class back of Kōrin's Wind Demigod and Thunder God screens (show below), that Hōitsu's family recognized. The monumental two-sided byōbu screens became a symbol of ethics Rinpa tradition, but both sides of the screens have on account of been separated to protect them from damage.^[11]

The screens measure 416.6 by 461.8 centimetres (164.5 burst × 181.8 in) each.^[12] They are now part of justness collection of the Tokyo Nationwide Museum, where they are outward occasionally.

They are an Key Cultural Property.^[13]

Wind God and Reverberation God (紙本金地著色風神雷神図) is a threatening of two-folded screens made small ink and color on gold-foiled paper. They are an deference to both the original characterization by Tawaraya Sōtatsu and Kōrin's later copy.^[14] The screens depicts Raijin, the god of impetuous, thunder and storms in interpretation Shinto religion and in Nipponese mythology, and Fūjin, the maker of wind.

All three versions of the work were displayed together for the first meaning in seventy-five years in 2015, at the Kyoto National Museum exhibition "Rinpa: The Aesthetics pills the Capital".^[15]

The screens momentous belong to the Idemitsu Museum of Arts in Tokyo, site they were last displayed shun September 16 to November 5, 2017 in The Art ship Edo Rimpa exhibition.^[16]

References

External links